China’s online literature grows in scale, expands global reach
新闻台署名 来源：新华社、《黎明报》、《阿拉伯新闻》、阿纳多卢通讯社与《分钟镜报》。由 GSRRA 编辑部翻译并节选。
China’s online literature industry continued to grow in both scale and global influence in 2025, with the total number of online literary works exceeding 33 million and the overseas readership reaching about 250 million, according to a report released on Thursday.
The figures were announced during the 2026 China Online Literature Forum hosted by the Chinese Writers Association (CWA) in Hefei, east China’s Anhui Province.
By the end of 2025, the industry had attracted over half a billion readers in total and exported more than 130,000 online literary works to overseas markets. Last year, it gained 40 million new overseas registered users, with active users spanning more than 200 countries and regions, said the report.
Data showed that overseas platforms for online literature and related micro dramas had a combined daily active user base of 60 million, generating more than 8 billion yuan (about 1.2 billion U.S. dollars) in overseas revenue.
In 2025, the industry saw continued innovation and improved quality, with genres such as realistic fiction, science fiction and fantasy delivering more high-quality works, the report noted.
“With compelling storylines, distinctive characters and imaginative settings, Chinese online literature has resonated across different cultures and gained popularity worldwide,” said He Hong, director of the CWA’s online literature center.
Chinese online literature has not only attracted a growing global readership but also inspired creators around the world.
Yuewen Group, a Chinese enterprise with online literature as its core business, has attracted more than 530,000 authors from countries including the United States, Brazil and Indonesia on its overseas platform.
“These writers are drawing on the storytelling approaches of Chinese online literature to tell their own stories,” said Wang Zhongjie, general manager of the company’s overseas business.
The influence of Chinese online literature is also extending beyond the written word, as more literary works are adapted into diverse forms of cultural products. The cross-media integration has given rise to a new cultural ecosystem involving the “new trio” of web literature, online dramas, and video games.
“Joy of Life,” a popular Chinese time-travel web novel, is one example of how online literature expands into different areas. The novel has inspired audiobooks, animations, television productions, and video games. In 2024, the second season of its series adaptation was translated into 14 languages and streamed on multiple overseas platforms, including Disney+.
“In the past, web literature, online dramas and video games developed along separate paths. Now the three sectors are forging a powerful synergy,” said Zeng Fanwen, executive director of the research institute of cultural industries at Renmin University of China.
“While web novels serve as the content source, micro dramas rapidly boost popularity, and video games create deep, long-term value,” Zeng added.
“Chinese stories are worth telling,” said Charles-Emmanuel Dewees, co-founder of the French webnovel platform Chinareads. He believed that with the help of AI, more global readers will feel the charm of Chinese online literature in different languages.
“Chinese online literature not only offers a source of enjoyment, but also opens a window for international readers to understand China better,” he said. “I would encourage them to visit China when they have the opportunity and experience the profound heritage of Chinese culture firsthand.”
Reference Link:- https://english.news.cn/20260730/96c32e314b4c4b6fabf51d8ef56a3488/c.html
Zamir Ahmed Awan is the founder and Chair of the Global Silk Route Research Alliance, a think tank in Islamabad. He studied engineering at Shanghai University in the 1980s, and years later he went back to China as Pakistan's science counsellor in Beijing, from 2010 until 2016, working on science and higher education cooperation between the two countries.…
